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米格爾•巴塞洛
Spanish, 1957

米格爾•巴塞洛 Spanish, 1957

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Miquel Barceló, Le Nuage Noir, 2002
Miquel Barceló, Le Nuage Noir, 2002
Miquel Barceló, Le Nuage Noir, 2002

Miquel Barceló Spanish, 1957

Le Nuage Noir, 2002
Mixed media on canvas
160 x 195 cm. (63 x 76 3/4 in.)
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Further images

  • (View a larger image of thumbnail 1 ) Miquel Barceló, Des Tomates Blancs, 2010
  • (View a larger image of thumbnail 2 ) Miquel Barceló, Des Tomates Blancs, 2010
  • (View a larger image of thumbnail 3 ) Miquel Barceló, Des Tomates Blancs, 2010
A tempest held in tension; Le Nuage Noir captures the moment before nature’s full force is unleashed. Although the water remains deceptively calm, frothy crowns of waves begin to form...
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A tempest held in tension; Le Nuage Noir captures the moment before nature’s full force is unleashed. Although the water remains deceptively calm, frothy crowns of waves begin to form – ordinary at first glance yet signalling the imminent eruption above. Hovering above the seascape, the black cloud dominates the composition, its mass rendered with ferocity. It seems to seethe and pulse, a visceral presence poised to rupture. Rain falls from it in palpable streaks, the sky thick with tension.

Barceló’s masterful use of contrast here – the tranquil lower half set against the brooding upper sky – creates a charged visual duality. The work transcends literal representation, evoking what Alexander von Humboldt termed the “cosmic landscape”: a single canvas that unifies disparate natural elements into one holistic vision. As in classical landscape composition, Barceló assembles sea, sky, and storm not as separate motifs, but as interconnected forces. The result is a work that feels both specific and boundless – a region captured not in geography, but in atmosphere and sensation.

Created in 2002, Le Nuage Noir stands as a compelling example of Barceló’s exploration of elemental power through experimental media. It is a painting that crackles with the energy of impending change.
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