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Hong Kong Spotlight by Art Basel: José Parlá and Gerhard Richter

Hall 3F & 3G, Hong Kong Convention and Exhibition Centre 1 Harbour Road Wan Chai, Hong Kong, 26 - 30 November 2020 
Open a larger version of the following image in a popup: José Parlá, Imprint of Body Movements, 2020
Open a larger version of the following image in a popup: José Parlá, Mannerisms of Decay, 2018
Open a larger version of the following image in a popup: Gerhard Richter, Abstraktes Bild [Abstract Painting], 1992
Open a larger version of the following image in a popup: Gerhard Richter, Ohne Titel [Untitled], 1970
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  • José Parlá, Imprint of Body Movements, 2020
  • José Parlá, Mannerisms of Decay, 2018
  • Gerhard Richter, Abstraktes Bild [Abstract Painting], 1992
  • Gerhard Richter, Ohne Titel [Untitled], 1970
José Parlá, Imprint of Body Movements, 2020
Event logo Booth S21 Limited tickets on November 27-30 are available via Fine Art Asia. Thursday, November 26, 2020, 2pm – 8pm Friday, November 27, 2020, 11am – 7pm Saturday, November 28, 2020, 11am – 7pm Sunday, November 29, 2020, 11am – 7pm Monday, November 30, 2020, 11am – 6pm https://www.artbasel.com/hkspotlight/overview

Ben Brown Fine Arts, London and Hong Kong, is thrilled to participate in 'Hong Kong Spotlight by Art Basel' at the Fine Art Asia fair, 26-30 November 2020, held in the Hong Kong Convention and Exhibition Centre.  We will bring together a selection of works by José Parlá and Gerhard Richter, highlighting the disparate and radical ways in which these two artists have explored abstraction.  The works will span from the 1970s to present day, creating a dialogue on painting, texture, process, and colour, and the evolution of experimentation in abstraction over the last half century.

 

Rot-Blau-Gelb [Red-Blue-Yellow], 1973, a large-scale, mesmerizing abstraction methodically rendered from primary colours is a stellar example of Richter's initial forays into abstraction, and an important precursor to his Abstraktes Bilder of the 1980s and beyond.  In 1972, Richter began his Inpaintings series, first in tones of grey and then later in the primary colours red, blue and yellow, in which he applied three separate areas of paint on a canvas and systematically moved the brush in sweeping, rhythmical strokes until the colours were blended, resulting in myriad colour combinations and a wonderful textural surface and sense of depth. Abstraktes Bild [Abstract Painting], 1992, similarly demonstrates his interest in blending and scraping away paint for the work to evolve, in this case the formation of a grid reveals the subtle variations of a jewel-toned palette.

 

José Parlá, who in 2019 exhibited at the Hong Kong Contemporary Art (HOCA) Foundation, is a multidisciplinary artist working in painting, large-scale murals, photography, video, and sculpture, who began his career as a young artist in the 1980s in Miami, and takes inspiration from the cities he visits around the world, creating tactile, organic, layered artworks that provide an urban history.  Time Engraved in Names, 2018, and Mirrors, Italy, 2017, are vibrant, monumental works teeming with texture, revealing remnants of found posters and signage, various paint layers, oil stick markings, stones and other mixed media.  Both Richter and Parlá have exhibited at major institutions across Asia and have a deep collecting base in the region.  We look forward to this novel presentation of two of the most formidable, pioneering and sought after abstract artists of the 21st century.

  • E-Catalogue

Related artists

  • José Parlá

    José Parlá

  • Gerhard Richter

    Gerhard Richter

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