<span class="title">Forma d’Armari Inclinat<span class="title_comma">, </span></span><span class="year">1968</span>
<span class="title">Imprints on Ochre<span class="title_comma">, </span></span><span class="year">1966</span>
<span class="title">Tot Marró Amb Relleu<span class="title_comma">, </span></span><span class="year">1961</span>
<span class="title">Cross on Brown<span class="title_comma">, </span></span><span class="year">1960</span>
<span class="title">Monochrome Gris au Signe Noir Supérieur<span class="title_comma">, </span></span><span class="year">1960</span>
Antoni Tàpies
Forma d’Armari Inclinat, 1968
Mixed media on canvas
170 x 195 cm; (66 7/8 x 76 3/4 in.)
Signed on the reverse

Over the course of his career in painting, printmaking, and etching, Antoni Tàpies has created his own lexicon of symbols and marks to help communicate the broad range of influences in his work including, most significantly, his Catalan roots, as well as his involvement with the Parisian intellectual scene of the 1950s, meeting exponents of Art informel like Jean Fautrier and Jean Dubuffet. Tàpies's abstract paintings are made with expressive blends of impasto, gestural brush strokes, often backwards hand-written script, and common materials such as soil and marble dust.