Ben Brown Fine Arts
Skip to main content
  • Menu
  • 艺术家
  • 展览
  • 艺术博览会
  • 商店
  • 新闻
  • 关于
  • 联络我们
  • EN
  • 简体
  • 繁體
Menu
  • EN
  • 简体
  • 繁體

Artworks

Alighiero Boetti, Regola e Regolarsi, 1979

Alighiero Boetti Italian, 1940-1994

Regola e Regolarsi, 1979
Embroidery
22.5 x 23.5 cm. (8 7/8 x 9 1/4 in.)
Copyright The Artist
Enquire
%3Cdiv%20class%3D%22artist%22%3EAlighiero%20Boetti%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ERegola%20e%20Regolarsi%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E1979%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EEmbroidery%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E22.5%20x%2023.5%20cm.%20%288%207/8%20x%209%201/4%20in.%29%3C/div%3E

Further images

  • (View a larger image of thumbnail 1 ) Thumbnail of additional image
  • Regola e Regolarsi
Alighiero Boetti’s Regola e Regolarsi (1979) belongs to the Arazzi series, begun in 1971 after his first visit to Kabul, Afghanistan. These embroideries consist of hand-stitched grids of coloured squares,...
更多
Alighiero Boetti’s Regola e Regolarsi (1979) belongs to the Arazzi series, begun in 1971 after his first visit to Kabul, Afghanistan. These embroideries consist of hand-stitched grids of coloured squares, each containing a letter that, when deciphered, reveals a phrase or aphorism. The present work, translating as “Rule and Regulate”, crystallises Boetti’s preoccupation with systems and self-discipline, contrasting external structures with inner regulation.

The year 1979 marks a turning point in the Arazzi project. Until then, production was based in Kabul, but the Soviet invasion forced the relocation of embroiderers – mostly Afghan women – to refugee camps in Peshawar, Pakistan, where the work continued. This piece thus belongs to a transitional moment, both historically and in Boetti’s own engagement with his collaborators.

Regola e Regolarsi exemplifies the tension central to the Arazzi: the order of the grid against the disorder of unpredictable colour combinations chosen by the artisans; the authority of Boetti’s system against the freedom of handmade interpretation. The phrase itself underscores this duality, meditating on rules and self-regulation within a structure that is simultaneously controlled and open-ended.
Close full details
分享
  • Facebook
  • X
  • Pinterest
  • Tumblr
  • Email
上一页
|
下一页
185 
/  227
Privacy policy
Cookie Policy
Manage cookies
Copyright © 2025 Ben Brown Fine Arts
网页支持 Artlogic
脸书, opens in a new tab.
Instagram, opens in a new tab.
Join the mailing list
Artsy, opens in a new tab.

This website uses cookies
This site uses cookies to help make it more useful to you. Find out more about cookies.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences