Vernissage: Wednesday, May 8, 7pm - 11pm 

9 May - 24 November 2019

Fondazione Berengo Art Space

Campiello Della Pescheria, Murano


To mark the 10th anniversary of GLASSTRESS, Vik Muniz has been asked to curate this year's exhibition together with Koen Vanmechelen. GLASSTRESS is a project by Adriano Berengo dedicated to supporting his mission of marrying contemporary art and glass. Since its debut in 2009, GLASSTRESS has revived the traditional craft of Murano glassblowing by forging new alliances with internationally renowned artists and designers. With little or no prior experience working with glass, these artists have embraced the challenge of creating extraordinary works in cooperation with Muranese maestri. The output of this unusual encounter defies the stereotypes associated with this ancient artistry, ultimately pushing the boundaries of both contemporary art and glass.

To celebrate 10 years of GLASSTRESS and 30 years of Berengo Studio, the exhibition goes back to its historical roots on the island of Murano. An old abandoned glass furnace is now an evocative exhibition space for striking new works and installations by returning artists Ai Weiwei, Laure Prouvost, Tony Cragg and Thomas Schütte as well as first time participants Prune Nourry, José Parlá and Rose Wylie, amongst others. For this section, Brazilian artist Vik Muniz has invited all artists to explore ‘how glass redefines our perception of space’. 

In another section, curated by Belgian artist Koen Vanmechelen, highlights from the past ten years will also go on display, including Mutter (2016/17) by Erwin Wurm, a series of sculptures exploring the equilibrium between everyday objects and their meaning; Laura’s Hands (2011), a piece by Jaume Plensa referencing the artist’s ongoing series of giant sculptures of a Barcelonan girl in a state of dreaming; and A Different Self (2014) by Mat Collishaw which combines the unique form of a Venetian mirror with a digital screen to evoke reflections from the past. Referring to th emaking of glass works, Vanmechelen says: ‘the world of the unknown and unseen becomes visible and tangible through beautiful accidents in time.’ A special project by Robert Wilson, curated by Jean Blanchaert will also feature as part of the exhibition. 

May 7, 2019