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We are pleased to return to Frieze Masters 2025 with a curated presentation of post-war British, European, and American art. The booth brings together significant works by Frank Auerbach, Miquel Barceló, Tony Bevan, Alighiero Boetti, Lucio Fontana, Candida Höfer, Robert Indiana, Claude and François-Xavier Lalanne, Heinz Mack, Nabil Nahas, Shirin Neshat, Sigmar Polke, Gerhard Richter, Thomas Ruff, Ed Ruscha, Robert Ryman, Gavin Turk, Victor Vasarely and Andy Warhol – artists whose practices mark the post-war shift from representation to material, language, and idea.

This year’s fairs arrive at an odd moment for the London art scene, perhaps mirroring the current moment in Britain. On the one hand, consumer confidence continues to slump, and economic anxieties abound in the country at large—a sentiment that its art market is not immune to. But on the other hand, there is a palpable energy in the city’s art scene that was immediately evident from the start of the week. Emerging and longstanding galleries mounted exceptional shows, as did London’s artist-led projects and spaces, institutions, and, of course, its constellation of art fairs.

Frieze represented the meeting point of all this excitement, bringing the full heft of the British art scene as well as international clout, with galleries from some 45 countries represented.

New York’s Di Donna Galleries unites René Magritte’s enigmatic canvases with the whimsical imagination of Claude and François-Xavier Lalanne.

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Pillars of Hong Kong’s art scene, a mother and son team reveal the fine art of collecting and their ‘Warren Buffett’-style role.