Alighiero Boetti: Curated by Elena Geuna: SMAC Venice (San Marco Art Centre)
Forthcoming exhibition
概覽
SMAC Venice is delighted to present Alighiero Boetti, a major exhibition dedicated to Italian post-war master Alighiero Boetti (Turin, 1940 – Rome, 1994). Curated by Elena Geuna and supported by Ben Brown Fine Arts, the exhibition will be on view from 7 May to 22 November 2026, coinciding with the 61st International Art Exhibition of La Biennale di Venezia.
Bringing together approximately one hundred works across eight galleries, the exhibition offers an expansive survey of one of the most influential artists of the post-war period. Spanning more than twenty-five years, from the late 1960s to the early 1990s, it traces the full arc of Boetti’s artistic trajectory and highlights the breadth and complexity of his practice.
Conceived as a constellation that invites viewers to inhabit the space between idea and form, order and disorder, Alighiero Boetti reflects the artist’s enduring interest in duality, systems and process. From his early works rooted in simple materials and elementary structures as proposed by the Arte Povera group, to later collaborative and conceptually layered projects, the presentation foregrounds the internal coherence of a practice that consistently tested its own premises while embracing chance, repetition and shared authorship as generative forces.
Bringing together approximately one hundred works across eight galleries, the exhibition offers an expansive survey of one of the most influential artists of the post-war period. Spanning more than twenty-five years, from the late 1960s to the early 1990s, it traces the full arc of Boetti’s artistic trajectory and highlights the breadth and complexity of his practice.
Conceived as a constellation that invites viewers to inhabit the space between idea and form, order and disorder, Alighiero Boetti reflects the artist’s enduring interest in duality, systems and process. From his early works rooted in simple materials and elementary structures as proposed by the Arte Povera group, to later collaborative and conceptually layered projects, the presentation foregrounds the internal coherence of a practice that consistently tested its own premises while embracing chance, repetition and shared authorship as generative forces.
